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The Renowned Actor Expresses Frustration Over Method Acting Being Compared to ‘Acting Insanely’ – Which Is Precisely the Reason It Captivates Us

It has been a long while since anyone caught a glimpse of Daniel Day-Lewis. After he announcement in 2017 that he would cease to pursue acting, prior to the release of Phantom Thread, Day-Lewis withdrew from the spotlight. However, during his hiatus, his reputation expanded further.

The Legend Surrounding His Method

Primarily, this reputation revolves around his preferred style of working. Being an actor known for disappears into his characters – for instance, while filming Lincoln, reportedly asked Steven Spielberg call him “Mr. President” throughout the shoot – audiences has become more fascinated with how he works. Did he really send texts to Sally Field in character as Lincoln? Was it accurate that he only eat animals he’d killed for The Last of the Mohicans? And did he insist on receiving food via spoon while filming My Left Foot?

Extreme acting methods: has the public lost interest with over-the-top performances?

Currently, Day-Lewis is back in the limelight, somewhat reluctantly, for his new film Anemone. He is taking this chance to express his frustration at how the Method technique is viewed. “I’m a little cross these days when I hear various individuals talking carelessly and using phrases like ‘fully embraced the Method’, which seems suggests that a person’s acting insane in a drastic way,” he told the New York Times. “Everyone tends to focus on the less important details of the work, and these elements always seem to involve some form of self-flagellation or a situation that causes extreme unease or psychological strain. However, in the life for a performer, it must mainly focus on the internal work.”

A World Full of Followers

Frankly, it appears like Day-Lewis has emerged from his retreat and found himself shocked by the world that has been created in his image. If you’re widely considered among the best performers to ever work, and your approach involves striking a prop to the point of injury (in Gangs of New York) or spending two days in isolation deprived of sustenance (during In the Name of the Father), it’s natural that other actors will want to emulate that example by trying to mimic their idol.

Adopting an Italian persona … The singer-actress in <em>House of Gucci</em>.
Fully immersed in Italian culture … Lady Gaga in her role for House of Gucci.

In other words, we exist in a landscape full of half-cocked Day-Lewis impersonators who strive only to demonstrate the extensive degree of effort they invest in their roles. On the milder side of the pool we have people like Lady Gaga, who was determined to win an Oscar with House of Gucci that she dedicated the entire promotion trying to convince everyone that she transformed into functionally Italian for a year and a half as preparation.

Additionally, there is Jared Leto, who chose to immerse himself into the role as the Joker (for Suicide Squad) through sending “horrifying” gifts to fellow cast members. These items, according to various accounts, range from dead pigs and rats to anal beads and used condoms, though the actor refuted the most extreme claims. Then, of course, there is Jim Carrey, who immersed himself so fully into Andy Kaufman for Man on the Moon that filmmakers succeeded to get a full-length documentary from behind-the-scenes footage of him making life as impossible as he could for everyone around him.

The Modern Method Practitioners

The main Method Guy at the moment seems to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach during Succession was so rigorously detailed that it formed the subject of a critical New Yorker profile, including statements from people who were worried for his behaviour (“It’s the cost on himself that worries me,” said co-star Brian Cox) or extremely irritated by his actions (“I remember him causing everyone else to react with exasperation,” said an anonymous cast member).

The actor says he ‘never intended to retire, really’

We have numerous additional cases. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. It’s quite possible that Austin Butler continues to talk like Elvis Presley, years following the movie’s release. Each of these instances, in part, is meant to invoke the dedication with which Day-Lewis takes his craft.

A Noble Yet Challenging Fight

Moreover, although his rebuttal against method detractors could be commendable, a short publicity tour might not be enough to change anyone’s mind, not to mention their behaviour. Maybe if he wants to remind people what method acting is, or to show them what it can achieve, then the optimal strategy for Day-Lewis is to just begin producing more films. Surely everyone would support that idea.

By

Chad Lee

A passionate linguist and storyteller with over a decade of experience in writing and education.

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